OrpheusPhono Preamplifier with LCR RIAA equalizer
OrpheusPhono Preamplifier with LCR RIAA equalizer
OrpheusPhono Preamplifier with LCR RIAA equalizer
OrpheusPhono Preamplifier with LCR RIAA equalizer
Features
Built-in step up transformer
Programmable gain and loading
Accepts both balanced and unbalanced input signals on RCA and XLR connectors
Switches ground plane with input selection preventing ground loops
Balanced and unbalanced output
Programmable ground arrangement for large systems
Programmable absolute phase per input
Choke input rectifier for lowest switching noise
Shunt regulated constant current PSU for lowest noise and best dynamic behaviour
Modular construction
Microprocessor controlled
Interlocking solid aluminium chassis
Orpheus uses two tube gain stages with zero feedback and a passive LCR equalizer with 2
inputs on RCA and one on XLR connectors. All inputs are balanced differential unless the grounding option is engaged on the RCA inputs. As we switch the ground plane
when switching inputs there are no hum loops or induced ground noise.
The input stage is a super low noise D3a German Post tube used as a triode. Loaded by a constant current cascode it provides the necessary gain and output impedance to feed the custom passive LCR RIAA correction following it.
The switchable input transformer interfaces to MC cartridges and has selectable gain and loading impedance.
The equalization is passive and the next stage is another super low noise tube loaded by a transformer to bring the signal up to the necessary level and provide complete isolation of this sensitive circuit from the following components.
The filter is out of any gain loops and sits between the two gain stages protected from any unpredictable influences.
The equalization is realized through the use of constant impedance LCR filters using coils wound with OFC wire and silver capacitors.
This way the input stage sees a constant load, making its behavior predictable at any signal level. The power supply of Orpheus uses a choke input full wave tube rectifier arrangement. This eliminates switching noise and any other disturbance that comes before the choke. The other benefit of this topology is that the choke keeps the voltage on the capacitor bank constant.
All this is governed by a microprocessor switching the appropriate combination of relays and monitoring the status and incoming command.
The chassis is milled in house from solid plates of different thickness aluminium that are interlocked together to form a ring like structure.
We have the power supply mounted on the left sidewall of this structure and the signal transformers on the right side. Two semi-flexible bars on which the motherboard and its heat sink are attached, which then support this ring.T
he top and bottom plates link all sides of the ring with the flexible bars and the feet made from carbon doped plastic on flexible screws.
There are no screws visible anywhere on the chassis. And the chassis feels like a solid block.
The input stage is a super low noise D3a German Post tube used as a triode. Loaded by a constant current cascode it provides the necessary gain and output impedance to feed the custom passive LCR RIAA correction following it.
The switchable input transformer interfaces to MC cartridges and has selectable gain and loading impedance. The equalization is passive and the next stage is another super low noise tube loaded by a transformer to bring the signal up to the necessary level and provide complete isolation of this sensitive circuit from the following components.
The filter is out of any gain loops and sits between the two gain stages protected from any unpredictable influences.
The equalization is realized through the use of constant impedance LCR filters using coils wound with OFC wire and silver capacitors.
This way the input stage sees a constant load, making its behavior predictable at any signal level. The power supply of Orpheus uses a choke input full wave tube rectifier arrangement. This eliminates switching noise and any other disturbance that comes before the choke. The other benefit of this topology is that the choke keeps the voltage on the capacitor bank constant.
All this is governed by a microprocessor switching the appropriate combination of relays and monitoring the status and incoming command.
The chassis is milled in house from solid plates of different thickness aluminium that are interlocked together to form a ring like structure.
We have the power supply mounted on the left sidewall of this structure and the signal transformers on the right side. Two semi-flexible bars on which the motherboard and its heat sink are attached, which then support this ring.T he top and bottom plates link all sides of the ring with the flexible bars and the feet made from carbon doped plastic on flexible screws.
There are no screws visible anywhere on the chassis. And the chassis feels like a solid block.
Technical Specifications
Inputs
2 x RCA, 1 x XLR - MM or MC phone cartridges
Outputs
RCA or XLR
Power supply
115 or 230V
Power consumption
50W
Weight
15 Kg
Dimensions
432W x 400D x 120H mm
Tube compliment
2 x D3a amplification
2 x 6C4П (6S4P) amplification
1 x 6Ц4П (6C4P) rectifier
2 x 6C4П (6S4P) amplification
1 x 6Ц4П (6C4P) rectifier
Available Finishes 
Silver Anodized Aluminum 
Gold Anodized Aluminum 
Gold Anodized Aluminum
Silver Anodized Aluminum Gold Anodized Aluminum Gold Anodized Aluminum
Reviews
Thrax Audio Orpheus
Review by: Matej Isak
July 2017 There are few high-end audio companies operating on the level, that really works for me and stand out in my reference book of high-end audio dealings these days. Among these Thrax Audio definitely takes very important place...
Thrax Audio Orpheus
Review by: HiFiStatement.Net
March 2015 So ein Gehäuse strahlt schon eine Menge Selbstbewusstsein aus: Ein – wie ich finde – ebenso gelungenes wie eigenständiges Design garantiert nach Ansicht seiner Schöpfer den nötigen Wiedererkennungswert – da scheint selbst der...
Thrax Audio Orpheus
Review by: Michael Fremer
December 2013 Thrax Audio philosophy and approach strongly correlates with my inner clock and how things should be made according to my understandings and feelings about ultra high-end audio. From tube rectifiers, chokes, TVC's, best materials being used...
Thrax Audio Orpheus
Review by: Paul Messenger
December 2012 Admittedly it’s very well made with a beautifully Ultimate Vinyl THE THRAX ORPHEUS PHONO STAGE MIGHT BE EXPENSIVE, BUT CHRIS BRYANT DISCOVERS THAT IT SETS A NEW BENCHMARK FOR VINYL REPLAY finished case, but the components inside are what...
Thrax Audio Orpheus
Review by: Matej IsakJuly 2017 There are few high-end audio companies operating on the level, that really works for me and stand out in my reference book of high-end audio dealings these days. Among these Thrax Audio definitely takes very important place...
Thrax Audio Orpheus
Review by: HiFiStatement.NetMarch 2015 So ein Gehäuse strahlt schon eine Menge Selbstbewusstsein aus: Ein – wie ich finde – ebenso gelungenes wie eigenständiges Design garantiert nach Ansicht seiner Schöpfer den nötigen Wiedererkennungswert – da scheint selbst der...
Thrax Audio Orpheus
Review by: Michael FremerDecember 2013 Thrax Audio philosophy and approach strongly correlates with my inner clock and how things should be made according to my understandings and feelings about ultra high-end audio. From tube rectifiers, chokes, TVC's, best materials being used...
Thrax Audio Orpheus
Review by: Paul MessengerDecember 2012 Admittedly it’s very well made with a beautifully Ultimate Vinyl THE THRAX ORPHEUS PHONO STAGE MIGHT BE EXPENSIVE, BUT CHRIS BRYANT DISCOVERS THAT IT SETS A NEW BENCHMARK FOR VINYL REPLAY finished case, but the components inside are what...
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